“Oh my God, what is that?!” I heard my mom scream from the living room.
We were visiting a home my real-estate-agent-aunt was trying to sell It had been on the market for over a year, but she just couldn’t seem to seal the deal on it. That day, my mother and I discovered why that was:
In the living room of the house was an enormous painting of a clown. Not a regular clown, but the kind of clown that makes you want to build a fort out of throw pillows and hide inside of it until its image has escaped you. It had long, curly brown hair with frays at the end that made each strand look like a caterpillar. The clown of course had the standard full face of makeup with over-lined red lipstick, but he also had an insanely wide smile which made him look like the Cheshire Cat from Alice in Wonderland when you’re looking for area rugs in Emeryville CA.
You’d think a clown would be wearing a striped jumpsuit because that’s what they wear, but nope:
This clown was wearing a stylish yellow crop-top and ripped jeans. His belt had a bedazzled unicorn on it. I almost didn’t see the buckle because it was hidden under the clown’s ENORMOUS, HAIRY BEER-BELLY. We begged my aunt to take it down, but she insisted on keeping it, saying it gave the house “the millennial flare it needed”.
About a half an hour later, a young couple came to view the house. My aunt briskly greeted them and proceeded to give them a tour. Mom and I sat in the kitchen eating celery sticks when suddenly we heard a blood-curdling scream come from the living room. Shortly after that we heard the front door slam. Moments later, my aunt walked into the kitchen, tail between her legs, and said, “…I’m gonna take the painting down now.” And she did.
A week later, my aunt called my mother and told her that she’d finally sold the house.
This was one of the first times in my life that I’d thought, “Hey, maybe decor does matter!”
When I was sixteen I finally got my own room to decorate and paint as I saw fit. There was something so exhilarating about rearranging the furniture, hanging drawings from friends, and painting the walls. Having my own room gave me a sense of freedom, but I also began to find my own sense of style. If you type “home decor” into a search engine you will find images ranging from stark empty rooms that were designed by a minimalist with bright colorful bedrooms for children. There is a wide variety and it is difficult to pin down just one style. I found myself torn as a young woman, unsure if I desired to play into my more childish side that wanted the bright colors and shiny objects, or my more grown-up side that wanted wooden furniture and rustic accents. It’s difficult to pin down one style, but it is more difficult to pin down the tastes of an adolescent when looking for area rugs in Watkinsville GA.
Instead of choosing one style, I was determined to do all of them. I painted the walls a color called spring green with a trimming called electric lime. That combination was as bright as it sounds. After the painting was finished I put in the wooden furniture that I wanted. A floor length jewelry cabinet with a mirror, two wooden bookshelves, a wooden desk, and a wooden chair. The only wooden thing that was painted was my dresser, which was the same spring green as the walls. I had found my decorating style. It was a balance between childhood and adulthood, which was exactly where I was at the time. Looking back, I realize the brightness of the walls may have been excessive, but that was who I was then. Decor matters, because it is a reflection of who you are as a person. It’s a glimpse into your life.
As we go through our daily lives we are surrounded by decor, but we may not stop to recognize it. Decor is apart of our homes, culture, and society. Decor can be very simple but powerful. There was a time in my life when I stopped to look around my living room and I saw a Native American picture hanging up on the wall. I never thought much about it because it has been there my whole life. Then I noticed the Indian rug that laid across from the fireplace.
It took me a while to stop and realize that the decor inside of my house is apart of the history of my family and where I come from. This small but powerful moment reminded me of my family and where I descend from. My dad is part Native American and descends from the Sioux and Cherokee Tribe. I think there are many times in our lives where we can take our family for granted, but if decor can remind us of who we are and where we come from it can be an important part of our daily lives.
You’ve had a long day. Arriving at home from school, work, building Rome or whatever you dedicate your time to throughout the day. Its gloomy outside and the sun has not merely peeked once. You start to feel tired just as you open your room door and it’s filled with light, vibrant colors. You have fluffy pillows everywhere and Succulent plants on the window sill. You have your favorite forest green comforter on your bed and your rose gold disco light on your nightstand. That scenario is exactly an example of why decor matters. I believe that decor is essential in a space because it sets the tone of the room, it allows expression and also because it can make or break a space.
The decor of a space can set a tone for the area. It allows you to control the mood and energy in the space. If you have more serious, contemporary art and furniture then that would be considered a modern feel. Modern decor has a structured energy to it. Whereas you had d.i.y, rustic, playful art that would be considered eclectic. Much more relaxed and upbeat feel to it. The mood of your house directly affects you and your company. It’s just interesting to think about how decor can alter emotion.
When a person decorates an area their ideas come directly from their aesthetic. When you are putting a space together it reflections your feeling and your style. That can be conveyed from the paint on the wall to the throw pillow and blankets on your couch. Essentially anything that you decorate is an extension of you because it reflects what is appealing to you.
Just like the decor can make you feel like you’re in a penthouse suite at a five-star hotel. Decor can also make you feel like your in a taxi derby. Depending on the pieces in a space it could create comfort, make a room appear larger, and also can be conversation starters. Those are all things that people think about when they think ‘what is a space for me’.
There are so many different variations of decorations and their placements. Decor is great for creating the perfect mood. It allows for someone to express themselves. Also can make or break a space by enlarging it or giving it a pop of comfort. I love to put my touch in the places I spend most of my time. Decor is essentially for each and every space.
Room decor is extremely important, it allows others an insight into the things that you like, the way you view the world and what type of person you are. If your house is messy, things are everywhere and there doesn’t seem to be any one feature tying the rooms together, it could lead a person to believe that inside the home, appearances don’t matter. If you live in a modern style apartment with clean surfaces and smooth lines, it would lead a person to believe you dislike clutter but appreciate simple, modern features. Interior design is hard! Much thought has to be put into the image you wish to portray to those who are welcomed into your home and there are unlimited ways to start.
Home decor has influenced every part of the world, its a large part of the culture. Part of the reason is that each culture has different values and norms that directly impact the way people see the world around them.Everyone is different and because of that, each individual has their own personality, style, and passion. Decor is important because each of us has our own needs and desires; decor allows us to tap into ourselves to form a space that we can claim as our own and enjoy. Each room, each piece that is selected and place down has to invoke a sense of who we are.
Project title: The Flow Country peatlands: Studying the past to shape the future
Environmental Research Institute (ERI) / University of the Highlands and Islands (UHI) (Thurso) & University of Stirling
Project Supervisors: Dr. Roxane Andersen (ERI/UHI), Dr. Richard Payne (U. Stirling) Collaborators: Dr. E. Tisdall (U. Stirling), Dr. A. Tyler (U. Stirling), Dr. D. Mauquoy (U. Aberdeen), Dr. A. Newton (U. Edinburgh)
Peatlands are globally-important ecosystems which sequester and store large quantities of carbon. The UK’s largest peatland area is the Flow Country of Caithness and Sutherland which alone contains carbon equivalent to the total emissions of Edinburgh for 100 years. However, considerable areas of peatland in the Flow Country have been severely damaged by drainage and afforestation with non-native conifers in the 1970s and 1980s, fragmenting the landscape and altering the natural carbon sink function of the peatlands. Climate change and pollution are more subtle threats which, although not unique to the Flow Country, could have profound consequences for peatland function. However, information on the long-term functioning and development of the peatlands is currently lacking, and particularly critical is the provision of data on long-term carbon accumulation. Flux tower measurements of Flow Country peatland carbon balance span less than five years, but the peatlands have been accumulating carbon for up to 10,000 years. How do the contemporary flux measurements fit into this longer-term context? Holocene carbon accumulation data is crucial to establishing the role of peatlands in the carbon cycle, how this has varied over time and the longer-term context to contemporary flux measurements. Such a long-term perspective can be provided by palaeoecological research and can give a quite different picture of peatland dynamics and response to environmental change from short-term studies.
The objective is to establish the long-term rate of carbon accumulation in Flow Country peatlands and the effect of afforestation. This project will combine data on carbon accumulation with chronology-building using radiocarbon dating and tephrochronology to understand how the Flow Country peatlands have developed over time and responded to a human disturbance and the implications of this knowledge for ecosystem management. This project will improve our knowledge of natural baselines such as peatland condition prior to afforestation and feed into policy development.
Conditions of application and funding: Applicants should have, or expect to obtain, a minimum of an upper second-class honours degree in a relevant discipline (Environmental Science; Ecology; Physical Geography etc.). Applicants with a previous taught MSc are also welcome. The student will be registered with UHI, but the project will involve splitting time between the Environmental Research Institute (part of UHI) in Thurso, northern Scotland, and the University of Stirling, central Scotland. Project work will include field work in northern Scotland, laboratory and microscopic analysis. A meticulous and thorough approach to laboratory work is required in the successful candidate. The position will be particularly suitable for those considering studying for a PhD in the future. Applications from students with previous experience in geochronology, palaeoecology and biogeochemistry are particularly welcome although full training in all techniques will be provided.
The position includes all tuition fees and a maintenance grant of c. £13,726 for one year.
Informal enquires should be directed to Dr Richard Payne (firstname.lastname@example.org) or Dr Roxane Andersen (Roxane.Andersen@uhi.ac.uk).
The Environmental Research Institute (ERI) is a unique research centre situated in the town of Thurso in the northern Highlands of Scotland. It is part of the North Highland College of the University of the Highlands & Islands (UHI); Scotland’s newest and most distinctive University.
The ERI has particular interests in the marine renewables sector, not least because of the substantial marine resource around our coastline and the long term economic development opportunities it offers. The region is home to the European Marine Energy Centre (EMEC), the world’s first and only grid-connected, UKAS accredited testing facility for wave and tidal energy technologies. The Pentland Firth and Orkney Waters (PFOW) is the site of the world’s first commercial scale leasing round for marine energy and has been awarded Marine Energy Park status has been awarded by UK Government.
The ERI has a rapidly evolving research profile and provides a high quality, vibrant research environment. In 2012 the ERI opened its Centre for Energy and Environment, a state-of-the art research facility on the campus of the University of the Highlands and Islands North Highland College. It has a goal of being internationally recognised for innovative and distinctive environmental science and it has unrivalled access to some outstanding natural environments. These include the dynamic waters of Pentland Firth.
As part of our commitment to developing our international research profile, we are seeking to appoint a dynamic biologist or ecologist to contribute to our interdisciplinary research effort on the environmental and ecological impacts of wave, tidal and offshore wind energy extraction. The post holder would have the opportunity to contribute to recently funded EU programmes and to develop their own research interests.
Candidates may have an interest in a range of potential environmental stressors including Physical presence or dynamic effects of devices; effects of energy alteration; chemical effects; acoustic or electromagnetic effects on receptors including: the physical environment; pelagic or benthic habitats and species; fish and fisheries (including migratory species); marine birds or ecosystem dynamics and food chain. Applications from candidates with interests in cumulative impacts or EIAs are also welcomed.
You will be entitled to join the Local Government Pension Scheme.